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Evie Dallmann examines “Alice in Wonderland,” “Coraline” and the psychedelic questioning of our own realities as it relates to current political climates and the forms of the two arts.
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Alice in Wonderland: Carroll enters the class wars in a desperately misconceived productionLewis Carroll’s much-loved children’s novel Alice’s Adventures in Wonderland seems almost purpose built for the stage. With its sympathetic child heroine, its parade of gloriously outlandish ...
Alice, an unpretentious and individual 19-year ... finds herself in a world that resembles the nightmares she had as a child, filled with talking animals, villainous queens and knights, and ...
The world of Lewis Carroll’s Alice in Wonderland was almost tailor-made for that. Here are 20 facts you might not know about this version of Alice in Wonderland. Maybe you can share them at your ...
A The Queen of Hearts "…When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said, severely, ”What’s your name, child?”“My name is Alice ...
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This Alice in Wonderland Adaptation Was More Like a Modern Folk HorrorThe Silent Characters in Alice in Wonderland Help the Creepiness Alice ... but director W.W. Young (a writer and child psychologist) certainly shows off costumes that could be considered nightmare ...
The children skip like Alice, hurry like the White Rabbit, stretch tall and kneel low in a hall of doors, then shrink small. As group caterpillars, they collaborate in threes (front-middle-back ...
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