John Carlin’s Lie of the Land is a taut home-invasion thriller that didn’t quite hit the mark. Looking to escape their debt, ...

Anastasia resurrects The Crying Room: Exhumed by Marcus Ian McKenzie At first, The Crying Room: Exhumed disappoints. Marcus Ian McKenzie tells us the performance will take place over Zoom, us watching ...

What’s next for Sydney art? The National Art School’s (NAS) Postgrad Show claims to have the answers. The former Darlinghurst Gaol site is renowned for its rigorous education, and training by a suite ...

The Insect Woman (1963) is not a happy film. It neither romanticises nor glorifies Japanese people or their culture as is popular today. Rather, Shohei Imamura is the type of director who is more than ...

We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of ...

We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of ...

We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of ...