“Through Love: Patricia Piccinini and Joy Hester” at Tarrawarra Museum of Art, Melbourne, Australia, 2018

Patricia Piccinini (born 1965 in Freetown, Sierra Leone) is an Australian artist who works in a variety of media, including painting, video, sound, installation, digital prints, and sculpture. Her works focus on "unexpected consequences", [1] conveying concerns surrounding bio-ethics and help visualize future dystopias.

Patricia Piccinini Born in 1965 Expanding the hyperrealist tradition in sculpture, Piccinini uses an array of materials—including silicone, leather, and human hair—to form beings that might result from genetic science.

1 day ago · Read: Patricia Piccinini on running an ARI She continues, “The Skywhales float into our lives to make us smile and think. Remember to look up. Among the amazing creatures that fill the sky, one day you might just see a Skywhale too.”. Piccinini calls on communities to engage with them creatively and with a sense of wonder and care.

Mar 31, 2017 · VCA alumna Patricia Piccinini, whose works include Graham and Skywhale, has an instantly recognisable aesthetic that is at once grotesque and fascinating.

The website of contemporary visual artist Patricia Piccinini. It contains information about and images of her sculptures, photographs, videos, drawings and other artworks.

Known internationally for her hyperrealism, Piccinini’s practice comprises drawing, photography, video, mixed-media painted compositions, large-scale installation, including the hot-air balloon Skywhale.

Patricia Piccinini creates some of the most surprising, provocative and pertinent artworks of our time. Famous for her life-like, chimeric creatures, anthropomorphic sculptures made of fiberglass and extraordinarily elaborate auto...

Patricia Piccinini: Bodyscape, Yu-Hsiu Museum of Art, Caotun Township, Nantou County, Taiwan Alone with the gods, GAGProjects, Kent Town, Sydney, Australia

Patricia Piccinini is an artist who explores the frontiers of science and technology through her sculptures, photographs, video and installation. Since the early 1990s, Piccinini has pursued an interest in the human form and its potential for manipulation and enhancement through bio-technological intervention.